The T List: Six things we recommend this week

Landscape paintings at a Kyoto temple, Broadway tarot cards — and more.

View in browser|nytimes.com October 30, 2024 Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we share things we're eating, wearing, listening to or coveting now. Sign up here to find us in your inbox every Wednesday, along with monthly travel and beauty guides, and the latest stories from our print issues. And you can always reach us at tmagazine@nytimes.com. SEE THIS Three Decades of Linda Stark's Oil Paintings, on View in New York Left: Linda Stark's "Samantha" (2005). Right: Stark's "Silver That Girl" (1998). © Linda Stark, courtesy of the artist and Ortuzar, New York. Photos: Jeff McLane (left), Steven Probert (right) By Sarah Durn Artists have been working with oil paint for more than a millennium, but few have explored its sculptural possibilities as deftly as the Los Angeles-based Linda Stark. In a process that can take years, Stark drips, layers and shapes oil paint until it rises an inch or more beyond the canvas, creating three-dimensional images that look like surreal, metaphysical clip art. In her first New York show in more than 20 years, "Ethereal Material" at Ortuzar in TriBeCa, Stark's wide-ranging oeuvre will be on full display in pieces spanning over 30 years. "My work is broadly autobiographical and confessional," she says. Sometimes a dream or meditation inspires a painting. After her cat Samantha died, she appeared to Stark during a moment of reflection, surrounded by what the artist describes as a flower of light. "I painted the image ["Samantha" (2005)] and found that afterward a healing had occurred," she says. Other times, personal objects spark ideas. Her eldest sister's senior picture prompted "Silver That Girl" (1998), Stark's simple, shiny version of the actress Marlo Thomas's classic 1960s flip hairdo. It became a tribute to "a generation of graying feminists," says Stark. "It's a statement about the beauty of a silver-haired woman." "Ethereal Material" will be on view through Dec. 7 at Ortuzar, New York, ortuzarprojects.com. COVET THIS Century-Old Swedish Designs Get a Revival Cast from original 20th-century molds, Nafveqvarn's collection of re-editions includes an iron console designed by the architect Folke Bensow. Fanny Radvik By Zoe Ruffner When the Swedish foundry Nafveqvarn debuted its collection of artisanal cast-iron home objects — ranging from shell-shaped urns to scroll-capped stools — at the 1925 World's Fair in Paris, the Swedish Grace movement — a short-lived yet significant chapter in design history known for its refined restraint and neo-Classical details — found a place on the international stage. Now, nearly a century later, a handful of those seminal creations are in production once again, thanks to Eva Anegrund, who took over Nafveqvarn from her father in 2018 after stumbling upon the 400-year-old company's original molds in a warehouse. Available through the Montana-based antiques shop Emerson Bailey, the growing collection of re-editions — which is handcrafted from recycled scrap at a foundry powered by wind and water — includes intricate, multipurpose vessels conceived by the 20th-century sculptors Carl Elmberg, Ivar Johnsson and Anna Petrus. A console table designed by the architect Folke Bensow, meanwhile, features a surface made of a green-grained marble unique to Sweden's Kolmarden countryside. From $800, emersonbailey.com. GIFT THIS Tarot Cards for Lovers of Broadway, Art and Pasta From left: the Hirschfeld Broadway Tarot, $30, hachettebookgroup.com. Dalí Tarot, $60, taschen.com. Tarot del Fuego, $29, loscarabeo.com. Pasta Tarot, $22, thepastatarot.com. Courtesy of the brands By Juan A. Ramírez Tarot cards have been around since at least the 1400s, when Milanese nobility commissioned specialty tarocchi for parlor games, long before 18th-century French occultists began tying the practice to murky supernatural meanings. Regardless of psychic abilities, these decks offer artists the opportunity to create worlds around recognizable archetypes (The Fool, Justice, Death, etc.). Last month the former theater publicist Emily McGill released the Hirschfeld Broadway Tarot, a deck that assigns these roles to on- and offstage characters using archival illustrations by the caricaturist Al Hirschfeld. Tony and Maria from "West Side Story" become The Lovers, while the Nine of Swords, a card linked to delusion, is represented by Norma Desmond from "Sunset Boulevard." McGill also highlights lesser-known historical figures, such as Eva Le Gallienne, a pioneer of regional and Off Broadway theater who shows up as The Empress. Other artists drawn to tarot include Salvador Dalí who published a set in 1984 that soon went out of print — until Taschen revived it in 2019. The Spanish artist Ricardo Cavolo lent his cartoonishly mystical style to a deck for the historic Fournier manufacturer in 2021, with a similarly colorful look as his collaborations with the musician Kaytranada. And in a cheeky return to the deck's Italian roots, the Pasta Tarot, created by a New York drag queen and a games producer for The New York Times, puts both a queer and culinary spin on the cards. VISIT THIS In Kyoto, a Zen Buddhist Temple Hosts Works by a Brazilian Painter Lucas Arruda's "Untitled (From the Deserto-Modelo Series)" (2023). The Brazilian artist has said that he paints "the idea of a landscape, rather than a real place." © Lucas Arruda, courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York. Photo: Everton Ballardin By Laura Bannister The Zen Buddhist temple Daitoku-ji in northern Kyoto is a sprawling complex of structures and gardens. Erected in 1319 by Zen master Shūhō Myōchō, the temple houses one of Japan's oldest meditation halls and its smallest rock garden. This month Daitoku-ji unveils another benchmark: the first art exhibition in its centuries-long history. Nine paintings by the Brazilian artist Lucas Arruda will appear throughout the site, including in tearooms and shrine niches; they will "trace the intentionality of the architecture," says Arruda. The painter is known for muted, enigmatic landscapes: murky sea scenes, forests and graduating fields of color bisected by blurred horizon lines. "My practice has always been deeply contemplative," says Arruda. Through painting, he achieves "a meditative state that aligns with Zen Buddhism." On the show's opening day, a traditional tea ceremony will be performed by one of Kyoto's tea masters, Reijirō Izumi. Lucas Arruda at Daitoku-ji is on view from Oct. 30 through Nov. 7. VIEW THIS A New York Retrospective of Young-Jae Lee's Spinach Bowls and Spindle Vases A new retrospective dedicated to the Korean artist Young-Jae Lee (right) features a series of her signature ceramic spindle vases (left). Left: Denis Bury. Right: Haydar Koyupinar By Zoe Ruffner Though the 73-year-old Seoul-born artist Young-Jae Lee grew up surrounded by traditional Korean pottery, she didn't appreciate the beauty of their unadorned, utilitarian shapes until, at 21, she emigrated to Germany, where she began her own journey as a potter. "If you're standing in a dense forest, you can't see the mountains — only the distance allows you to see the picture in its entirety," says Lee, who has been the director of Keramische Werkstatt Margaretenhöhe, a Weimar-era ceramic workshop in Essen, since 1987. In "Forms From the Earth," an upcoming retrospective at New York's David Nolan Gallery, her now signature spinach bowls and spindle vases, to which she's devoted the better part of her career, carry echoes of both the ancient art of dal-hang-ari (moon jars) and the form-meets-function legacy intrinsic to the 20th-century Bauhaus movement. With their subtle variations in contour and color, the deceptively simple yet technically complex geometric clay vessels stand as testaments to the infinite potential that can be found through the humble act of repetition. As she puts it, "My work is always a process, and an exhibition is not a conclusion but only a part of the whole." "Forms From the Earth" will be on view from Nov. 1 through Dec. 21, davidnolangallery.com. CONSIDER THIS A French Designer's Bronze-Accented Furniture The Buffet Eva, a new piece by the designer Hervé van der Straeten, will debut at his upcoming exhibition with Ralph Pucci. Courtesy of Ralph Pucci By Jameson Montgomery The gallerist and designer Ralph Pucci began his career working in his family's Mount Vernon, N.Y.-based mannequin repair business, where he eventually designed his own custom models for luxury showrooms and boutiques. In the late 1980s, he started selling furniture. Ralph Pucci International is now in its seventh decade under family ownership, still selling mannequins alongside in-house furniture designs, as well as pieces by designers like India Mahdavi, Eric Schmitt and Hervé van der Straeten. This year, van der Straeten is celebrating 20 years with the gallery, a relationship that had a serendipitous beginning. In 2004 the French designer showed up unannounced at Pucci's gallery and presented his portfolio; Pucci signed him to the gallery on the spot. Now, to mark the anniversary, Ralph Pucci is presenting an exhibition of van der Straeten's works at its New York gallery in Manhattan's Flatiron district. Among the new pieces presented are a pair of firsts: A guéridon has a bronze base topped by a circular slab of Green Forest marble, van der Straeten's first use of the richly hued stone. A sideboard titled Buffet Eva features a diagonal patchwork of bronze and lacquered slabs in swamp oak, another new material for the designer. On view from Oct. 29 through February 2025 (exact date to be announced), ralphpucci.com. FROM T'S INSTAGRAM Cornwall Is England's Most Magical County. Here's Where to Go. Sandra Mickiewicz Cornwall, England's craggy southwestern tip, is well worth a visit in the fall. By October, "the maddening crowds have gone, the sea is the perfect temperature for swimming, the blackberries are out and the landscape is all rust colors," says Frieda Gormley, a co-founder of the homewares brand House of Hackney. It's the best time for surfing, too: "You start to get those autumn swells," says Tom Kay of the outdoor clothing line Finisterre. Rent a car and you can easily explore Cornwall's peninsula in a single trip, taking in its wild Atlantic coast, with rocky headlands and wide white beaches, and its more sheltered southern coast, known for fishing villages, sandy coves and estuaries, as well as the brooding landscape in between. Better still, lace up your hiking boots and hit the South West Coast Path, lined at this time of year with gorse and heather. Click here to read the full guide and follow us on Instagram. And if you read one thing on tmagazine.com this week, make it: Matt Harrington These Are the Weirdest Houses We've Ever Covered Eleven brilliantly wacky homes that make conventional ideas of good taste seem boring. By T Magazine Need help? Review our newsletter help page or contact us for assistance. You received this email because you signed up for T Magazine from The New York Times. To stop receiving T Magazine, unsubscribe. To opt out of other promotional emails from The Times, including those regarding The Athletic, manage your email settings. To opt out of updates and offers sent from The Athletic, submit a request. Subscribe to The TimesGet The New York Times app Connect with us on: Change Your EmailPrivacy PolicyContact UsCalifornia Notices The New York Times Company. 620 Eighth Avenue New York, NY 10018