Race/Related: 100 years of the Harlem Renaissance, in photos

We've gathered dozens of images showing the people and the art that they created.

View in browser|nytimes.com July 5, 2024 The trumpet player Cootie Williams performed with Duke Ellington's band at the Savoy Ballroom in Harlem in the 1930s. Getty/Bettmann, via Bettmann Archive A visual history of the Harlem Renaissance The Harlem Renaissance changed the world. We've gathered dozens of images, many that we've never published, showing the people and the art that they created. Travel through early 20th-century Harlem in this visual history: a curated collection of photographs, videos, paintings and books that gave the Jazz Age its swing. Archive Photos/Getty Images See the photos here → FOR MORE ON THE HARLEM RENAISSANCE The Dinner Party That Started the Harlem Renaissance → EDITORS' PICKS We publish many articles that touch on race. Here are a few you shouldn't miss. The Interview Serena Williams's Next Challenge? The Rest of Her Life. The greatest women's tennis player of all time is trying to find her new normal in retirement. 29 MIN LISTEN Tom Brenner for The New York Times What's a 'Black Job'? Trump's Anti-Immigration Remarks Are Met With Derision Donald J. Trump accused immigrants of stealing "Black jobs" and "Hispanic jobs" during Thursday's debate, prompting criticism from Democrats and other social media users. By Maya King Adam Perez for The New York Times Along the Hollywood Walk of Fame, a Struggle to Make a Living Los Angeles lifted restrictions that had forced street vendors, mostly immigrants, on Hollywood Boulevard to dodge citations. Other challenges remain. By Kurtis Lee, Ana Facio-Krajcer and Adam Perez National Portrait Gallery, Smithsonian Institution Nonfiction Who Was Harriet Tubman? A Historian Sifts the Clues. A brisk new biography by the National Book Award-winning historian Tiya Miles aims to restore the iconic freedom fighter to human scale. By Jennifer Szalai HBO Experimental Films Fuel 'Slave Play' Documentary The playwright Jeremy O. Harris's "Slave Play. Not a Movie. A Play." wears its intellectual references on its sleeve. By Annie Aguiar Victoria Will/WILLV, via Associated Press Ron Simons, Who Brought Black Stories to Broadway, Dies at 63 He left a career in tech and found success as a producer, winning four Tonys. His mission: staging productions about underrepresented communities. By Richard Sandomir Invite your friends. Invite someone to subscribe to the Race/Related newsletter. Or email your thoughts and suggestions to racerelated@nytimes.com. Need help? Review our newsletter help page or contact us for assistance. You received this email because you signed up for Race/Related from The New York Times. To stop receiving Race/Related, unsubscribe. To opt out of other promotional emails from The Times, including those regarding The Athletic, manage your email settings. To opt out of updates and offers sent from The Athletic, submit a request. Subscribe to The TimesGet The New York Times app Connect with us on: Change Your EmailPrivacy PolicyContact UsCalifornia Notices The New York Times Company. 620 Eighth Avenue New York, NY 10018