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The T List: Six things we recommend this week

Anna Sui's beauty regimen, a riverside hotel in Lisbon — and more.

View in browser|nytimes.com December 4, 2024 Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we share things we're eating, wearing, listening to or coveting now. Sign up here to find us in your inbox every Wednesday, along with monthly travel and beauty guides, and the latest stories from our print issues. And you can always reach us at tmagazine@nytimes.com. STEP BY STEP Anna Sui Shares Her Everyday Lipstick and Eyeliner Left: the fashion designer Anna Sui. Right, clockwise from left: Anna Sui Perfect eyeliner, $29, annasui.com; Mistral bath foam in Lychee Rose Floral, $38, mistralsoap.com; Clearstem Hydraglow stem cell moisturizer, $56, clearstem.com; Nars Powermatte High-Intensity lip pencil in Dragon Girl, $30, narscosmetics.com; Anna Sui eau du parfum in Electric Whisper, $77, annasui.com; Denman brush, $21.95, denmanbrushus.com; R+Co Primary Color Shampoo, $49, randco.com Portrait: Huy Luong. Products: courtesy of the brands Interview by Angela Koh I start out by washing my face with my line's cleansers, the clearing oil and cleansing water. Then I use my plumping lotion; it has these gold specks in it and it really does something nice to your skin. I use Clearstem's Hydraglow stem cell moisturizer before I put on my foundation, and then at night I'll put on their Clearity serum with vitamin C and mandelic acid as well as their CellRenew serum. The beauty product most nostalgic to me is red lipstick. It's something I started to wear once I moved to New York, because my mom didn't let me wear lipstick as a teenager. I've been using Anna Sui Cosmetics the longest; we're going on 25 years of that. We always do a red lipstick, number 400, that I wear. I also like the Nars lip pencil in Dragon Girl that I put underneath my lipstick. And I always wear my Perfect eyeliner. I use this eyeliner brush that's Thierry Mugler, and it's thick — it gives me that wide eyeliner look that I like. I wear my signature winged eyeliner everywhere, even when I go to the gym, even when I go to the drugstore. I love going to Bigelow [in the West Village] because they have a bubble bath that I like, Mistral in Lychee Rose Floral. I realize that bubble baths must not be popular now, because it's really hard to find. But I like those bubbles. I guess from old movies, you always see the glamour pusses in the bathtub with all the bubbles. Garren New York, he's cut my hair forever and nobody cuts hair like Garren. I get so many comments like, "You have such a great haircut." I get my hair cut maybe three times a year, but I trim my own bangs in between with whatever scissors I have on hand. I wash my hair with R+C Television shampoo and conditioner or the Primary shampoo and conditioner and masque from their Bleu collection. I always use a Denman brush. Every time I go to London, I buy some from Boots. I also just bought a Dyson flat iron. I guess I copy my mom because she always wore fragrance, Chanel No. 5, and lipstick. I wear fragrance every day. I've been wearing our new Electric Whisper. I love the black currant and lychee, which give a slight fruitiness, but then the pink pepper patchouli and vetiver add a spiciness. And of course the hint of rose. Again to the gym, to the drugstore … it's just natural for me to wear it all the time like my mom. The other thing I always wear is nail polish. My favorite color is Seafoam Green. I hate chipped nails, so I usually do my own, twice a week. STAY HERE A New Lisbon Hotel With a Private Garden and River Views Left: a view of Tarabel Lisbon's blue exterior from the guests-only garden below. Right: looking into one of the 10 suites, all of which overlook the Tagus River. Courtesy of Tarabel Lisbon By Cynthia Rosenfeld Rose Fournier, the Swiss French interior designer and owner of Tarabel Marrakech, the 10-room riad that opened in the Moroccan city in 2007, spent the past five years overhauling a 19th-century mansion in Lisbon's Lapa neighborhood. Situated across a cobblestone street from the United States ambassador's residence, Tarabel Lisbon is set to open next month behind a facade painted enamel blue in homage to Queluz Palace, built in 1747 for the first female ruler of Portugal. For her new hotel's relaxed, elegant interiors, Fournier scoured French flea markets for antique furniture ("Everything Napoleon III is comfortable," she says) to mix with extra-deep, French linen-covered couches and a stone fireplace she brought over from her private Megève chalet, plus trompe l'oeil bookshelves and birdcages by the painter Gonçalo Jordão. All nine rooms across four levels have views over the Tagus River, some extending to private terraces. Specialist carpenters from France who work at the Palace of Versailles hand carved intricate treillage woodwork for some of the rooms, while closets were finished in leather by Moroccan artisans. Green parrots crisscross the sky above the guests-only garden that's bordered by jacaranda trees. There's also a glass-tiled swimming pool, heated year-round. From about $525 a night, tarabellisbon.com. WEAR THIS A Third-Generation Jeweler's Botanical Rings Rings from Alexis Alexandra Briano's inaugural jewelry collection for her namesake brand, Alexis Alexandra. The pieces are based on original designs by Briano's father and grandfather. Left: the Lilium. Right: a still life featuring the Viola, a band of blooming pansies. Romain Roucoules By Kate Guadagnino "I grew up around the remnants — gold dust, stones and wax," Alexis Alexandra Briano says of A. Hagosian & Son, the jewelry shop that her grandfather Aram and her father, John, maintained for half a century inside the Sir Francis Drake Hotel in San Francisco. Aram opened the store in the 1930s after having escaped the 1915 Armenian genocide and, especially because of the precarity from which it emerged, Briano didn't want the business to die with her father. A few years ago, she found a Los Angeles-based goldsmith with the skills to recreate Aram and John's intricate designs — lost-wax cast, hand-engraved pieces inspired by the work of the 16th-century Italian sculptor and jeweler Benvenuto Cellini, and by the natural world. The result, launching this week, is a collection of eight 18-carat-gold rings featuring wraparound botanical motifs. There are delicate bands of interconnected pansies and weightier, wreathlike ones modeled after ferns and bay laurel or acanthus leaves. With their fine etchings and antique finishes, the designs — including one with snaking stems and drooping lilies — have an old-world appeal, though Briano notes that a band carved with acorns is also "so California." While building the collection, Briano, who is also a psychotherapist, thought about what it is to withstand hardship or mine a difficult history and come out on the other side with something beautiful. She sees the project, which she's named Alexis Alexandra, as a tribute to her family, and yet she also wants to move the story forward. She plans to experiment with her own designs — and with various gems — and hopes, one day, to pass her knowledge down to her daughter. Prices on request, alexisalexandra.com. COVET THIS Revived Furniture by the French Designer Pierre Guariche Left: the Vallée Blanche chaise longue and G21 floor lamp, designed by Pierre Guariche and reissued by Ligne Roset. Right: the Tonneau chair, Pierre Gauriche's molded plywood seat, recreated by Ligne Roset.  Courtesy of Ligne Roset By Megan O'Sullivan In 1962, the French designer Pierre Guariche created a collection for La Plagne, a ski resort in France's alpine Tarentaise valley. Among the pieces was a wool-upholstered chaise longue called the Vallée Blanche, meant to mirror the curves of the mountains and named after the world's longest ski run. The chair was honored at the homeware exhibition Salon des Arts Ménegers the following year and is now part of the Centre Pompidou's permanent collection of revolutionary designs. This fall, over 60 years since Vallée Blanche's inception, the French furniture manufacturer Ligne Roset is reissuing it as part of a 16-piece collection of furniture and lighting from Guariche's archives dating from the 1950s to the '70s. "We wanted to extend the lives of these historic models," says Ligne Roset's executive vice president, Simone Vingerhoets-Ziesmann. To ensure a faithful recreation, the company went beyond referencing drawings: "We purchased the existing original Guariche designs and studied them," says Vingerhoets-Ziesmann. "For the Vallée Blanche, there were only four left." Ligne Roset's designers preserved Gauriche's original structure, building the spider-shaped base from welded steel and using polyurethane foam, a durable performance material, for the chair's cushion. "We want the functionality to be embraced," says Vingerhoets-Ziesmann. Other revived items include the gently curving Tonneau Chair, whose seat is formed from a single piece of plywood, and the G10 sofa, an upholstered couch with plywood panels. From $860, ligne-roset.com. DRINK HERE Balinese Artistry Finds a New Home in a Frankfurt Cocktail Bar Left: at Toko & Bar in Frankfurt's Lindenberg Libertine hotel, inspiration comes from the hospitality brand's hotel on Bali. On the wall is a photograph of its surf instructor taken by the German photographer Neven Allgeier. Right: a Toko bar snack featuring roasted greens, mayo, cress and seeds.  Jack Johns By Gisela Williams Frankfurt, Germany's financial capital, isn't necessarily known for its creative scene but, though it may be small, it does exist: Artists like the sculptors Tobias Rehberger and Martin Wenzel live and work in the city; DJ Ata Macias owns the lively Cafe Plank! in the Bahnhofviertel, a neighborhood near the main train station; and, since it opened in 2016, the stylish boutique hotel Libertine Lindenberg has been attracting artsy visitors to the historic Sachsenhausen neighborhood. Last month, the Libertine opened a bar on its ground floor called Toko & Bar. It's inspired by Indonesian flavors and handicraft — Lindenberg, the hospitality group behind the property, also has a surf hotel on Bali — with cocktails featuring ingredients like Kaffir lime leaves and rosella. Snacks on offer include the Drunken Gurk, a pickled cucumber served with peanut crunch and a shot of a strong Indonesian rice spirit called arak. The tables are set with textiles and brass cutlery commissioned by the hotel and made by Balinese artisans. thelindenberg.com. SMELL THIS A Fragrance Inspired by Cannabis and Wild Plants Left: Wenjüe Lu's debut fragrance Wiid. Right: the artist Wenjüe Lu's sculpture of an ikebana arrangement of the "Wiid" plant, featuring newspaper cutouts of hemp and patchouli leaves. Wenjüe Lu By Gage Daughdrill Since launching in 2020, the Brooklyn creative studio Wenjüe Lu has released limited collections of clothes, soft sculptures and installations with the aim of promoting "longevity, sustainability and individuality," says co-founder Chufeng Fang. Its garments are made from undyed cotton and linen, and the studio offers a mending service for customers to encourage lifelong ownership. In September the brand launched a fragrance in collaboration with the New York-based perfumer Yi Fei Li. The scent, called Wiid, has notes of bitter gourd, marijuana and patchouli. "We wanted to begin with the cannabis plant and end with something that feels more like an incense stick," says Fang. Wiid is bottled in hand-carved glass bottles with wooden lids — each one is numbered and unique. And for those who want an additional layer to their fragrance, Fang and his co-founder Wenjüe Lu have created a zine, Wild Is the Wiid, that offers a guide to experiencing the perfume as well as poetry. $100, wenjuelu.com. FROM T'S INSTAGRAM Inside a Legendary New York Hotel, a Home With Wall-to-Wall Tiger Print Christopher Sturman In Manhattan's Sherry-Netherland, the 38-story Jazz Age co-op and hotel overlooking Central Park at 59th Street, the interior designer Martin Brûlé has reimagined a home that inhabits an entire floor. The Montreal-born Brûlé was commissioned to do the apartment in 2021, a few years after he opened his namesake New York office, by a Latin American-born client with a family of five who works in a rarefied corner of the international jewelry business. Brûlé has since transformed the 11,000 square feet, which once housed the hotel's barbershop, gym and several offices, into a wildly imaginative and distinctively uptown version of open-plan living. With vast spaces separated mainly by three monumental sets of custom-forged, nickel-plated steel pocket doors, its free-flowing layout is arrayed with finely crafted 18th- and 19th-century European antiques, modernist furniture from the 1930s and '40s and a vivid pastiche of intensely colored velvets, silks and satins. Click here to take a full tour of the Manhattan home and follow us on Instagram. And if you read one thing on tmagazine.com this week, make it: Justin French Freak City The Freaks Who Rule New York From a masked artist to a Broadway pioneer, these are the one-of-a-kind creative forces shaping the culture today. By Nicole Acheampong, Jason Chen, Roxanne Fequiere, Kate Guadagnino, Juan A. Ramírez and Coco Romack Need help? Review our newsletter help page or contact us for assistance. You received this email because you signed up for T Magazine from The New York Times. To stop receiving T Magazine, unsubscribe. To opt out of other promotional emails from The Times, including those regarding The Athletic, manage your email settings. To opt out of updates and offers sent from The Athletic, submit a request. Subscribe to The TimesGet The New York Times app Connect with us on: Change Your EmailPrivacy PolicyContact UsCalifornia Notices The New York Times Company. 620 Eighth Avenue New York, NY 10018

The T List: What to wear, see and know about this week

A store designed by the director of ‘Call Me by Your Name’ and more from the editors of T Magazine.

View in browser|nytimes.com Continue reading the main story January 15, 2020

Welcome back to the T List, a newsletter from the editors of T Magazine. Each week, we’re sharing things we’re eating, wearing, listening to or coveting now. We hope you’ll join us for the ride. (Sign up here, if you haven’t already, and you can reach us at tlist@nytimes.com.)

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Visit This

A Storied Northern California Hotel Gets an Update

Micah Cruver

By Tali Minor T Contributor

The Thatcher Hotel — an 18-room Victorian building in Hopland, Calif. — was, in the late 19th century, perhaps best known as the establishment where men brought their paramours. But these days, you’re more likely to find weekenders unloading their Subarus to check in for a night or two en route to the Mendocino Coast. Making the trip to Hopland is worth it alone to stay at the Thatcher, which recently emerged from an extensive renovation. Guest rooms range from studios with bunk beds to spacious suites with sitting rooms, and the décor is a pastiche of pioneer-inspired designs: Off the entrance, Urban Electric fixtures hang over the original oak bar; the library’s shelves, curated in part by the beloved Berkeley store Moe’s Books, are piled with volumes that relate to Northern California; the Bay Area furniture designer Alexis Moran outfitted the lobby with nooks for gathering over oat-milk lattes (in Heath Ceramics mugs). Come summertime, the backyard will be just as appealing with a new bocce court and three cabanas available by reservation. thatcherhotel.com.

Wear This

Outsize Sunglasses From an Eyewear Mainstay

Courtesy of Linda Farrow

By Caitlin Agnew T Contributor

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I never feel more glamorous than when I have a pair of large sunglasses perched on my nose. Evoking that sophisticated feeling is at the core of the eponymous eyewear brand founded by Linda Farrow, who pioneered the concept of sunglasses as fashion statement. The British label’s spring 2020 collection also marks its 50th anniversary, for which the creative director, Simon Jablon, Farrow’s son, paid homage to 1970s London. “I love that kind of disco-party creative energy,” he told me. To channel that spirit, Jablon designed 37 new frame styles, like the Amber, an enlarged version of Linda Farrow’s signature square silhouette, and the Dunaway, an exaggerated cat eye — all are underscored by the maxim that bigger is better. And for the first time, the brand has introduced silk scarves in psychedelic prints and chunky acetate chains that can both be worn looped through circular holes at the sunglasses’ temples. Because what’s more glamorous than accessorizing your accessories? From $550, lindafarrow.com.

Know About This

The Clothing Store Designed by a Film Director

Giulio Ghirardi

By Merrell Hambleton T Contributor

The Italian director Luca Guadagnino is known for creating lush environments in which films like “Call Me by Your Name” (2017) play out. Of late, he’s also begun to design interiors offscreen. His latest project — the SoHo flagship for Gabriele Moratti’s ethically minded fashion label, Redemption — began with a photograph: a 1971 image by Dominique Tarlé of the Rolling Stones lounging in the parlor of the Villa Nellcôte on the Côte d’Azur. The resulting store, which opened on Wooster Street in October, is “like a French Haussmannian apartment where you can breathe a little bit of rock ’n’ roll,” Moratti told me. Guadagnino commissioned Irish artisans to create a chevron-patterned floor in reclaimed wood from Trentino, Italy, and crowned the entryway with an enormous 1950s Venini chandelier. Clothing is suspended from subtle racks and tucked into built-in cabinetry; concealed doors give way to dressing rooms. A lounge area — which features a rich boiserie crafted by Venetian woodworkers — is a welcoming space for, Moratti hopes, guests to meet, spend time and even make art. “It’s not just where you go to buy something,” he said. redemption.com.

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Eat This

One Way to Keep Warm During the Winter Months

Elizabeth Ervin

By Kurt Soller

I have about a dozen hot sauces in my refrigerator — some for complementing shucked oysters, others for homemade mac and cheese — but the truth is that most of them are from somewhat mass brands. I’ve found that the big names tend to make better, more consistent products than the artisanal ones. But I recently fell for something more niche: Red Clay Hot Sauce, created and bottled last year by the Charleston, S.C., chef Geoff Rhyne. While I tend to prefer condiments that pack high acid and deep heat, the mild Red Clay Original Hot Sauce is, instead, an exercise in subtlety, more of a spice whisper than a shout, highlighting the fruitiness of the Fresno peppers used to make it as well as the fermented, slightly funky character of the vinegar base and the bourbon barrels in which it’s aged. As we enter the coldest months, this bottle has become more of an ingredient in my kitchen than a straightforward accompaniment, something I can’t wait to add to chili, curry and other soups and stews all winter long. $10, redclayhotsauce.com.

See This

A Master Collage Artist Comes to New York

Left: Erró and Jean-Jacques Lebel in front of the latter’s canvas in Paris, circa 1959. Right: Erró’s “Meca Face Meca-Make-Up” (1960).Left: courtesy of the Reykjavik Art Museum, the artist and Perrotin. Right: courtesy of the artist and Perrotin

By M.H. Miller

The 87-year-old Paris-based artist Erró, born Guomundur Guomundsson in Iceland, is not as popular in America as he is elsewhere, but New York’s Perrotin gallery has been steadily building his reputation here. Most associated with the Pop Art movement of the 1960s, Erró is known for his intricate collages of found images, sourced from commercial advertising and comic books, amounting to wild flurries of consumerist critique. His work has been compared to the paintings of James Rosenquist, another Pop artist who was drawn to the iconography of advertising, as well as to the disturbing hellscapes of Hieronymus Bosch. For the next month, Perrotin will host a retrospective of Erró’s pieces from the 1950s to the present, including a downright grotesque collage culled from the usually mundane world of medical diagrams. Taken together (and like much of Erró’s best work), it looks like a kind of mental short-circuit, an overload of hollow imagery that in isolation has little worth at all. “Erró” is on view through Feb. 15, 2020, at Perrotin, 130 Orchard Street, New York, perrotin.com.

From T’s Instagram

‘I’m Finished When I Start Looking at the World in a Different Way’

A group of masks that Hugo used as props for his series “Nollywood,” shot in Nigeria in 2008.Stephanie Veldman

The photographer Pieter Hugo grew up at the tail end of apartheid, witnessing South Africa’s sweeping sociopolitical changes in the early 1990s. “Transition from one system to another left an impression and transformed me,” he says. “Everything I saw was mediated by some power, so I wanted to see for myself, and photography was the perfect tool for my wanderlust.” For more than a decade, he has been traveling the world, from China to Ghana to Nigeria, capturing images that illustrate the disorder and humility of life everywhere. Hugo took us inside his studio and answered T’s Artist’s Questionnaire. Follow us on Instagram.

And if you read one thing on tmagazine.com this week, make it: Molly SJ Lowe   All the Best Pictures From the Men’s Fashion Shows A day-by-day recap, along with our favorite images from the runways.

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